Anonymous Vernacular

Rolleiflex
Tmax 100 in TMax Developer
10 minutes, 1:7 @ 24C

*click image above for larger view*

Contact sheet from a Rollei. Need to shoot some more rolls to see what caused the lack of density. Exposures look pretty good for just guessing (no meter) while shooting a new film (that was expired) and developing in a completely new way: 1:1:100 at 75F for 15 minutes in Pyrocat-HD using semi-stand.

*click image above for larger size*

• Chamonix 4×5, 135mm Symmar-S, FP4+ in Pyrocat-M 3:2:100 for 7′30″ @ 72F

I’ve started a re-photographic project in Fort Worth, Texas, based on a book of souvenir views, circa 1909. This image is not part of the project, but something I couldn’t help but make as Mark, David, and I passed in front of the entrance doors at the Fort Worth Convention Center.

• 8×10 Calumet C-1, 360mm f/6.3 Fujinon, Delta 100 developed in Pyrocat-M.

• 8×10 Calumet C-1, 240mm f/9  Fujinon, Delta 100 developed in Pyrocat-M.

I recently ventured out into urban Fort Worth, TX, with an 8×10 Calumet C-1, which won’t happen again. The combination of the C-1 mounted to a Majestic Tripod is ~40lbs or over a quarter of my body weight. On top of this you add the rest of the items you need such as 8×10 holders (bulky and the weight adds up), lenses, and dark cloth and we’re talking a not fun experience. From now on I’ll be saving the 8×10 camera for studio work/portrait sessions only until I have a project calling for 8×10 over using the 4×5.

I began photographing around my home with the 4×5 as we will soon be moving. When I return from Europe my wife will have already moved us to a different apartment complex that is closer to school for her. I am retreading the same areas I have photographed while working on my “Walks with Maia” series of photographs, but exploring with the 4×5 always gives me new eyes.

Chamonix 45

135mm Schneider Symmar-S

FP4+

Fuji GA645

Agfa Portrait 160

Camera: Mamiya 7 with 80mm f/4 lens

Film: Agfa Portrait 160

Location: Intersection of Fort Worth Drive and I-35E, Denton, TX

Camera: Mamiya 7 with 80mm f/4 lens

Film:Agfa Portrait 160

Location: Home, Roanoke, TX

Camera: Mamiya 7 with 80mm f/4 lens

Film: Agfa Portrait 160

Location: Dallas Arboretum

Last night I mounted up the 18″ Verito then took the dog out while hauling the Canon digi camera. While we were outside Zeus cracked the skies wide open and I managed to sneak off some shots of the lightning before the heavens poured down on us. Once back inside (and dry) I compared the views between the 3 different lenses I have mounted for the 11×14 (Dallmeyer 3A, 18″ Verito, and 6D clone) and decided I’d had the 18″ Verito too long without making a self-portrait with it so….

I still had the camera setup and focused on a lamp so I moved the lit bulb on the lamp to the location where I wanted sharpest focus for the self-portrait. This is all best-guess work, though I can fix the place of best focus by tying string to the camera and knotting the length where focus is sharpest, but such a task is best handled by 2 people–I’m doing all of this solo.

Mark still had my lightmeter, which i realized wasn’t going to be an issue as it was dark enough now that I had to worry about having enough light! Out comes an Alien Bees B800 in a 32″ x 40″ softbox (or so, I’m not too sure on the size of the softbox) cranked up to full power and just out of view of the 11×14’s lens a little camera left and above. I left a lamp on behind my position during the exposure to help pop me out from the background, but next time I will try it without the light to compare. There was no metering needed because I figured I had one of three possible results:

1. The right amount of light for the low key image I wanted.
2. Not enough light and the subtler details would be lost or in a more extreme case I would record no image data at all.
3. Too much light and I would blow the highlights all over the place.

If the result was #1 then, hey, I’d doing great! #2 and there wasn’t too much I could do without removing the softbox and having a harsher light as I had the monobloc cranked up to max. #3 and I could just reshoot after turning the power on the light down.

Then I need some sort of light sensitive material so I cut down a sheet of Arista II Grade 2 Glossy 11×14 RC paper I purchased from Freestyle Photographic (the film holder won’t take a full 11×14 sheet so I trimmed the edges slightly) and loaded one sheet into each side of the holder. Then I mixed up some Dektol about 1:30 (wanted it dilute to keep down the high contrast of paper negatives), some fixer at paper strength (1:7 with water), and filled a 3rd 11×14 tray with water for wash. Now the fun part of figuring out how to make all of this work as the 18″ Verito doesn’t even have a shutter let along a flash sync! Between my iso 2-6 paper speed for the negative, my f/4 lens racked out to 1:2 macro making the exposure one stop slower due to bellows compensation, and the low ambient light I could easily go a couple of seconds of exposure from ambient without affecting my flash. Steps I took to make this happen:

1. Focus on light
2. Cut down RC 11×14 paper under safelight and load into holders
3. Mix up Dektol, fixer, and wash bath
4. Check focus on light
5. Check aperture on lens and put on lens cap
6. Load 11×14 holder and pull darkslide
7. Put darkslide back in, take out 11×14 holder, take out the sheet of cut-down RC paper that was too small and fell out of the holder
8. Insert 11×14 with opposite side towards the lens and pull darkslide
9. Cross fingers
10. Check monobloc is set to full power and check sync cord connection between it and the Canon digi-camera
11. Move stand-in model (the light) and stand in its place
12. Remove lens cap from 18″ Verito
13. Line myself by best-guess to where I should be
14. Snap off a frame with the Canon digi-camera setting off the strobe
15. Put lens cap back on 18″ Verito
16. Slide darkslide back in and remove 11×14 holder from the camera
17. Develop, fix, and wash the 11×14 paper neg under a safelight in the bathroom
18. Break down the equipment and make the wife a late dinner
19. Scan the negative at work the next day on the Epson 10000XL flatbed scanner
20. Write blog post

You can see the image at the top of this post and the end result was a bit between my exposure scenarios #2 and #1, but leaning more towards #1, i.e. the exposure I was wanting! The exposure was pretty spot on as it was for what I envisioned, but the placement of the light threw an odd shadow across the top of my head making me look like I have a lop-sided haircut. This is easily fixed by raising the light higher and getting it more over the camera lens (the taking lens on the 11×14), but by doing this I will lose the silky shadow detail I have in the lower portion of the frame (the upraised hands holding the camera will block more of the light) so I will fix this and add a little more fill light by placing another light below the 11×14 taking lens set to 1-2 stops less power or if I have a clean sheet of white foam core I’ll just bounce it in by taping the foam core in place to the camera itself.

You can see the image much larger and on black here: View On Black

Tonight I am going to do a couple more shots playing with the lighting and some bounce cards and if Mark swings by to develop his 4×5 negatives from the Vegas trip then I’ll do some pictures of him, too.