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	<title>Comments for Anonymous Vernacular</title>
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	<link>http://www.anonymousvernacular.com</link>
	<description>obsessive photographer at play</description>
	<pubDate>Thu, 11 Mar 2010 02:35:23 +0000</pubDate>
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		<title>Comment on Pt/pd on vellum by jeremydmoore</title>
		<link>http://www.anonymousvernacular.com/2009/05/16/ptpd-on-vellum/comment-page-1/#comment-55</link>
		<dc:creator>jeremydmoore</dc:creator>
		<pubDate>Mon, 08 Jun 2009 19:52:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.anonymousvernacular.com/?p=106#comment-55</guid>
		<description>Robert, since it's using a digital negative I don't have to dial in too much, but there are all of those wonderful alt process variables that keep me at about 4 of every 5 as keepers.</description>
		<content:encoded><![CDATA[<p>Robert, since it&#8217;s using a digital negative I don&#8217;t have to dial in too much, but there are all of those wonderful alt process variables that keep me at about 4 of every 5 as keepers.</p>
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		<title>Comment on Pt/pd on vellum by Robert Hall</title>
		<link>http://www.anonymousvernacular.com/2009/05/16/ptpd-on-vellum/comment-page-1/#comment-54</link>
		<dc:creator>Robert Hall</dc:creator>
		<pubDate>Mon, 08 Jun 2009 18:31:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.anonymousvernacular.com/?p=106#comment-54</guid>
		<description>Nice image jer, how many do you sacrifice to the photo gods in order to get a good print?</description>
		<content:encoded><![CDATA[<p>Nice image jer, how many do you sacrifice to the photo gods in order to get a good print?</p>
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		<title>Comment on Pt/pd on vellum by jeremydmoore</title>
		<link>http://www.anonymousvernacular.com/2009/05/16/ptpd-on-vellum/comment-page-1/#comment-51</link>
		<dc:creator>jeremydmoore</dc:creator>
		<pubDate>Fri, 05 Jun 2009 21:10:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.anonymousvernacular.com/?p=106#comment-51</guid>
		<description>Trevor, I'm honestly not too sure as I haven't waxed anything that wasn't drymounted to an opaque paper. I can tell that it makes it slightly more transparent, but due to the cost of Renaissance Wax vs. the cost of bees wax I wouldn't use it for making paper negatives more transparent for printing through.</description>
		<content:encoded><![CDATA[<p>Trevor, I&#8217;m honestly not too sure as I haven&#8217;t waxed anything that wasn&#8217;t drymounted to an opaque paper. I can tell that it makes it slightly more transparent, but due to the cost of Renaissance Wax vs. the cost of bees wax I wouldn&#8217;t use it for making paper negatives more transparent for printing through.</p>
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		<title>Comment on Pt/pd on vellum by Trevor</title>
		<link>http://www.anonymousvernacular.com/2009/05/16/ptpd-on-vellum/comment-page-1/#comment-37</link>
		<dc:creator>Trevor</dc:creator>
		<pubDate>Mon, 25 May 2009 01:42:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.anonymousvernacular.com/?p=106#comment-37</guid>
		<description>Gorgeous image. I'm curoius about the waxing portion of your process. Does it make the vellum even more transparent? How do you think the Renaissance product would work with making paper negs?</description>
		<content:encoded><![CDATA[<p>Gorgeous image. I&#8217;m curoius about the waxing portion of your process. Does it make the vellum even more transparent? How do you think the Renaissance product would work with making paper negs?</p>
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		<title>Comment on nevada desert at night. by jeremydmoore</title>
		<link>http://www.anonymousvernacular.com/2009/05/22/nevada-desert-at-night/comment-page-1/#comment-36</link>
		<dc:creator>jeremydmoore</dc:creator>
		<pubDate>Fri, 22 May 2009 19:22:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.anonymousvernacular.com/?p=109#comment-36</guid>
		<description>If you look at the location the shot was made from (distance laterally shifted from the center line) I think you can tell I was in the passenger seat for these. All were 1-3 second long exposures. 11 pm in the desert, quite fun. The light far off in the distance is light pollution from Las Vegas, Nevada, nearly 100 miles away.</description>
		<content:encoded><![CDATA[<p>If you look at the location the shot was made from (distance laterally shifted from the center line) I think you can tell I was in the passenger seat for these. All were 1-3 second long exposures. 11 pm in the desert, quite fun. The light far off in the distance is light pollution from Las Vegas, Nevada, nearly 100 miles away.</p>
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		<title>Comment on portraits. by Kevin W. Mullet</title>
		<link>http://www.anonymousvernacular.com/2009/05/01/portraits/comment-page-1/#comment-35</link>
		<dc:creator>Kevin W. Mullet</dc:creator>
		<pubDate>Fri, 22 May 2009 18:33:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.anonymousvernacular.com/?p=92#comment-35</guid>
		<description>I never before realized how much those traffic barrier barrels looked like cat-in-the-hat hats!</description>
		<content:encoded><![CDATA[<p>I never before realized how much those traffic barrier barrels looked like cat-in-the-hat hats!</p>
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		<title>Comment on nevada desert at night. by Kevin W. Mullet</title>
		<link>http://www.anonymousvernacular.com/2009/05/22/nevada-desert-at-night/comment-page-1/#comment-34</link>
		<dc:creator>Kevin W. Mullet</dc:creator>
		<pubDate>Fri, 22 May 2009 18:32:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.anonymousvernacular.com/?p=109#comment-34</guid>
		<description>I saw these on Flickr and was tempted to say this:
"Hey look! no hands!"

...hope you had one hand on the wheel, Jeremy.

I like the third from the top the best.</description>
		<content:encoded><![CDATA[<p>I saw these on Flickr and was tempted to say this:<br />
&#8220;Hey look! no hands!&#8221;</p>
<p>&#8230;hope you had one hand on the wheel, Jeremy.</p>
<p>I like the third from the top the best.</p>
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		<title>Comment on Pt/pd on vellum by david</title>
		<link>http://www.anonymousvernacular.com/2009/05/16/ptpd-on-vellum/comment-page-1/#comment-33</link>
		<dc:creator>david</dc:creator>
		<pubDate>Sun, 17 May 2009 20:37:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.anonymousvernacular.com/?p=106#comment-33</guid>
		<description>that looks beautiful.</description>
		<content:encoded><![CDATA[<p>that looks beautiful.</p>
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		<title>Comment on fort worth with the 8&#215;10 by jeremydmoore</title>
		<link>http://www.anonymousvernacular.com/2009/05/15/fort-worth-with-the-8x10/comment-page-1/#comment-32</link>
		<dc:creator>jeremydmoore</dc:creator>
		<pubDate>Fri, 15 May 2009 19:33:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.anonymousvernacular.com/?p=102#comment-32</guid>
		<description>Rich,

I've actually gone out a couple of times with a *much* lighter Ansco Commercial 8x10 (maybe 6 pounds to the C-1's 18) and that's a fun experience. With the C-1 it's so heavy as to make the process unenjoyable, which strikes me as being the wrong route to go. I think the area I am photographing in also hinders using the hefty C-1 as I have to park far away and hike to the location.

Plus, down the road of processing I can develop 10 4x5's compared to 5 8x10's at one time and scanning 4x5's is a cinch while scanning 8x10's is laborious. With what I'm shooting and the size I'm printing (4"x5" and 8"x10" using digital negatives) for this project the 8x10 just doesn't make as much sense. The 8x10 is still the go-to for portraiture for me, though.</description>
		<content:encoded><![CDATA[<p>Rich,</p>
<p>I&#8217;ve actually gone out a couple of times with a *much* lighter Ansco Commercial 8&#215;10 (maybe 6 pounds to the C-1&#8217;s 18) and that&#8217;s a fun experience. With the C-1 it&#8217;s so heavy as to make the process unenjoyable, which strikes me as being the wrong route to go. I think the area I am photographing in also hinders using the hefty C-1 as I have to park far away and hike to the location.</p>
<p>Plus, down the road of processing I can develop 10 4&#215;5&#8217;s compared to 5 8&#215;10&#8217;s at one time and scanning 4&#215;5&#8217;s is a cinch while scanning 8&#215;10&#8217;s is laborious. With what I&#8217;m shooting and the size I&#8217;m printing (4&#8243;x5&#8243; and 8&#8243;x10&#8243; using digital negatives) for this project the 8&#215;10 just doesn&#8217;t make as much sense. The 8&#215;10 is still the go-to for portraiture for me, though.</p>
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		<title>Comment on fort worth with the 8&#215;10 by Rich Coda</title>
		<link>http://www.anonymousvernacular.com/2009/05/15/fort-worth-with-the-8x10/comment-page-1/#comment-31</link>
		<dc:creator>Rich Coda</dc:creator>
		<pubDate>Fri, 15 May 2009 19:15:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.anonymousvernacular.com/?p=102#comment-31</guid>
		<description>Oh, you'll get used to it ;^)

I go out with my 4x5, 8x10 and 11x14 at least 2-3 times a month in Phoenix and surrounding areas, even in summer. Granted my cameras are Arcas and are more compact and lightweight, but with all the lenses, holders, etc. It probably weighs close to half my (145) weight. You just have to pace yourself. I find that I am using my 4x5 less and less, except for color.

Nice work... keep it up.</description>
		<content:encoded><![CDATA[<p>Oh, you&#8217;ll get used to it ;^)</p>
<p>I go out with my 4&#215;5, 8&#215;10 and 11&#215;14 at least 2-3 times a month in Phoenix and surrounding areas, even in summer. Granted my cameras are Arcas and are more compact and lightweight, but with all the lenses, holders, etc. It probably weighs close to half my (145) weight. You just have to pace yourself. I find that I am using my 4&#215;5 less and less, except for color.</p>
<p>Nice work&#8230; keep it up.</p>
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